
Michele Campanella - Années de pèlerinage
Genre :
Classical Catalogue: ODRCD391 UPC: 855317003912
Release Date :
23 / Oct / 2020
- 01 – Premiere annee Suisse, S.160 – I. Chapelle de Guillaume Tell
- 02 – Premiere annee Suisse, S.160 – II. Au lac de Wallenstadt
- 03 – Premiere annee Suisse, S.160 – III. Pastorale
- 04 – Premiere annee Suisse, S.160 – IV. Au bord d’une source
- 05 – Premiere annee Suisse, S.160 – V. Orage
- 06 – Premiere annee Suisse, S.160 – VI. Vallée d’Obermann
- 07 – Premiere annee Suisse, S.160 – VII. Eglogue
- 08 – Premiere annee Suisse, S.160 – VIII. Le mal du pays (Heimweh)
- 09 – Premiere annee Suisse, S.160 – IX. Les cloches de Geneve (Nocturne)
- 10 – Deuxieme annee Italie, S.161 – I. Sposalizio
- 11 – Deuxieme annee Italie, S.161 – II. Il Pensieroso
- 12 – Deuxieme annee Italie, S.161 – III. Canzonetta del Salvator Rosa
- 13 – Deuxieme annee Italie, S.161 – IV. Sonetto 47 del Petrarca
- 14 – Deuxieme annee Italie, S.161 – V. Sonetto 104 del Petrarca
- 15 – Deuxieme annee Italie, S.161 – VI. Sonetto 123 del Petrarca
- 16 – Deuxieme annee Italie, S.161 – VII. Apres une lecture de Dante. Fantasia Quasi Sonata
- 17 – Troisieme annee, S.163 – I. Angelus! Prière aux anges gardiens
- 18 – Troisieme annee, S.163 – II. Aux cypres de la Villa d’Este I Threnodie
- 19 – Troisieme annee, S.163 – III. Aux cypres de la Villa d’Este II Threnodie
- 20 – Troisieme annee, S.163 – IV. Les jeux d’eaux a la Villa d’Este
- 21 – Troisieme annee, S.163 – V. Sunt lacrymae rerum, en mode hongrois
- 22 – Troisieme annee, S.163 – VI. Marche funebre, en memoire de Maximilian I, Empereur du Mexique
- 23 – Troisieme annee, S.163 – VII. Sursum corda
Franz Liszt – Années de pèlerinage
Michele Campanella piano
The three sets of Liszt’s Années de pèlerinage take the listener on a journey not only through the geographical regions that inspired the composer, Switzerland and Italy, but on a voyage through his own personal development, becoming increasingly inward-looking and spiritual with each cycle. The first set, Suisse, already displays much of that psychological scope, with works of quintessential Romanticism: poetic, evocative and wide-ranging in their emotional landscape. The second set, Italie, is even more organic and compact in its conception, and in the final set we hear an older composer reflecting on life and death in music characterised by impressionistic colours and profound spiritual depth.